Publishers

Recommended Reads: 03.15.16

Redskins: Insult and Brand
C. Richard King

RedskinsUnder Roger Goodell’s watch, the NFL has done all it can to insult and offend its fans. As much as I love football, it’s getting harder to support the NFL and Goodell’s funhouse-mirror morality. One of the most egregious offenses is the league’s continued use of the “Redskins” team name.

In Redskins: Insult and Brand, C. Richard King explores the term and its unfortunate intersection with professional football. King expands his study beyond the current debate to reflect on the complicated views white Americans have of minorities and the role economics and brand value play in the inexplicable defense of a racial slur.

 

Why Quark Rhymes with Pork and Other Scientific Diversions
N. David MerminWhy Quark Rhymes with Pork

Yet another example of a book that, had I read this in high school, would have steered me toward the sciences. Mermin is a heavyweight theoretical physicist, and in this volume collects 43 essays, some not previously published and many of them culled from his columns in Physics Today.

Technical, yet light-hearted and accessible, Why Quark Rhymes with Pork will be enjoyed by a wide variety of readers, not just the science-minded. Fans of Sam Kean and Mary Roach should get a kick out of Mermin’s essays.

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Review: Forked

Forked: A New Standard for American Dining

Saru Jayaraman

Having spent nearly half of my working life in restaurants, I was excited to read Jayaraman’s defense of the AmericanForked service worker — especially since I was once employed by two of what she considers to be two of the worst employers in the biz: Olive Garden and Red Lobster.

Many of the back-of-the-house anecdotes in Forked are all too familiar to me, but Jayaraman, through her research and foundation, Restaurant Opportunities Center, augments these tales with stats and studies and facts that I, even as a fairly well-informed server/bartender/cook/dishwasher, didn’t realize. These include the history of the tipped economy and why it has lost favor in much of the world and that the federal minimum wage has remained at $2.13 an hour for nearly a quarter-century for those living off gratuities.

Jayaraman argues that the industry and its workers remain handcuffed by mid-1990s legislation put forth by Herman Cain, the National Restaurant Association, and Darden Restaurants, the largest restaurant company in the world. Darden’s flagship chain is the Olive Garden, and until 2014 it also owned Red Lobster.

Of the restaurants where I’ve worked, Darden’s were actually the nicest, which is more commentary on the sad state of the industry than a compliment to Darden. Jayaraman has an even lower opinion of their stores. In each section of Forked, she profiles a company taking the high road in its treatment of workers and a company taking the low road.

Not even unlimited cheddar bay biscuits could salvage a passing grade for Darden.

For me, the most illuminating aspect of Jayaraman’s manifesto is her discussion of sexual harassment. Now, it’s no secret (I don’t think) that restaurants are sexually charged work milieus. They are also an intersection of diverse populations. The back of the house, in my experience, was a mix of drifters, creative types, future scholars and criminals. Many of my co-workers went on to earn advanced degrees. Many of them came to work wearing house arrest anklets.

Meanwhile, the front of the house was mostly staffed by young women, some of them still in high school, who drew the salacious humor and advances of the boys’ club on the line. Some of it was naive or good-natured (I’m thinking of the potty humor and clumsy communication of teenaged boys), but some of it was creepy and misogynistic.

And all of it was inappropriate in the workplace, which is why I haven’t witnessed much of it since leaving the restaurant industry.

But even with this knowledge, Jayaraman’s research was alarming. Consider, she argues, that for millions of young women, hosting or waiting tables is their first job. “It is the industry through which they learn what is tolerable and acceptable in the workplace.”

She backs this up with data (higher rates of sexual harassment in states paying tipped workers differently from non-tipped workers) and anecdotally (women who failed to report sexual harassment in later employment because, compared to what they’d endured, “it was never as bad as it was” in restaurants.

But for all there is to recommend Forked, there is a bias that must be acknowledged. The book promotes the work of ROC, a nonprofit co-founded by Jayaraman, and lacks the outsider perspective of books like Nickel and Dimed and Fast Food Nation.

While this bias is worth keeping in mind, it doesn’t discredit her argument — her research and data are still valid, just maybe not as comprehensive as that of independent lab testing.

That only slightly tempers my enthusiasm for this book. Forked is well-written and informative, and I think it’s a must-read for American diners — especially if they’ve never known the joy of cleaning out the deep fryer.

Author Interview: Joanna Mishtal, The Politics of Morality

Growing up in the west, I had a fairly uncomplicated view of the Soviet Union. In the 1980s, they were the EvilThe Politics of Morality Empire. Then down comes the Berlin Wall. The Iron Curtain crumbles. Freedom wins the day. Roll credits.

Of course, history is never that simple.

Anthropologist Joanna Mishtal grew up in Soviet Poland, defected to the United States as a teenager, and now studies reproductive rights in her country of birth. Her research uncovers a thornier narrative of post-Soviet Poland. Rather than a secular democracy, the Catholic church has assumed a dominant political role.

As a result, Poland has some of the strictest abortion laws of any European Union country, and Mishtal explores the effect this has had on women and women’s rights in her first book, The Politics of Morality: The Church, the State, and Reproductive Rights in Postsocialist Poland.

The book, published by Ohio University Press, blends politics, personal narrative, Polish history and peer-reviewed research. Full disclosure: I have known Mishtal for close to a decade and I proofread early drafts of a few chapters.

Mishtal provides a unique view of Polish politics, having experienced both Soviet and post-Soviet culture as well as having lived in the west. Most impressively, she is able to switch easily between detached observation and insider familiarity, lending a unique voice to her research. Her personal insights enhance the narrative while her use of case studies give flesh and bone to the academics.

With Russia once again a wild card, the EU in crisis and Poland’s recent swing even further to the right, The Politics of Morality is a timely and important read. We are still figuring out both the history and consequences of the end of the Cold War, and Mishtal’s is an important and necessary voice in the discussion.

She recently sat down with Ensuing Chapters to discuss The Politics of Morality.

 

Cyber Monday

If you’ve got a bibliophile on your gift list, you know they can be hard to please. Hardcore readers don’t look to the best-seller lists any more than audiophiles pay attention to the Top 40 charts. Big-name publishers are fine, but impress the bookworm in your life by going independent on Cyber Monday.

It’s also, I admit, a self-serving suggestion.

In July, my debut novel, The Red Tags, was published by Comet Press, an independent publisher in New York City. If you’re shopping for someone with a taste for psychological horror or dark crime, I recommend this novel. Of course, I’m biased, but even if The Red Tags isn’t their (or your) cup of tea, I encourage you to check out these independent publishers and authors.

Comet Press

The must-have for horror aficionados this year is the anthology Necro Files: Two Decades of Extreme Horror. Featuring heavyweights such as George R.R. Martin, Joe R. Lansdale and Brian Hodge, this is a top-flight collection of disturbed visions. Originally published in 2011, it is now available for the first as an audiobook narrated by Eric A. Shelman. Or if you’re interested in something novel-length, choose from titles by authors Brett Williams, Adam Howe and Adam Millard.

Monkey Puzzle Press

Now based in Arkansas, Monkey Puzzle Press was founded in 2007 in Boulder, Colo. MPP publishes literary fiction that is dark, quirky and emotionally revealing. I highly recommend Justice, Inc., a short story collection from Dale Bridges. Other books to consider include The Boy in the Well by Nicholas B. Morris and The Whack-Job Girls by Bonnie ZoBell.

Diversion Books

Diversion publishes quality fiction and non-fiction across a spectrum of genres. Alex Dolan’s The Euthanist is one of the best books I’ve read all year, but you will find something for anyone on your gift list. Discover authors like Rachael Michael, Deborah Chester and Grant Blackwood.

Dundurn Press

Consider a trip north of the border with one of Canada’s largest independent publishers, Dundurn. My recommendation is R.J. Harlick’s A Cold White Fear, but there are also fine thrillers from Canadian authors like Janet Kellough, Brenda Chapman and Steve Burrows.

Of course, this is but a sampling of the independent presses publishing quality literature. While the big publishers recycle the same-old names, the indies can introduce you to fresh voices. They produce books that take chances because they’re more concerned with literary merit than market share.

Recommended Reads: Apocalypse Edition

 

Picturing the Apocalypse: The Book of Revelation in the Arts over Two Millennia

Natasha O’Hear and Anthony O’Hear

Revelation is one of the most vivid works of literature ever etched into papyrus. It has inspired artists for nearly Picturing the Apocalypse2,000 years, stoking the fires of Michelangelo, Blake and Bosch and establishing the premise of countless bad horror films. In this impressive study, Natasha and Anthony O’Hear examine 120 works of art rooted in the closing chapter of the New Testament. The authors (a father-daughter tandem) breakdown the works into 10 different themes, including the Four Horsemen, the Seven Seals and modern popular culture.

Picturing the Apocalypse is well-written and beautifully illustrated with all of the artworks discussed. I was personally drawn to the religious history of the book, but also enjoyed the art history and theory, the literary and cultural development of Revelation and, ultimately, a fresh look at the text through the modern lens.

If not for you, this is a great gift for fans of art, history, philosophy, literature or anyone looking to upgrade their dinner-party conversation.

 

Secret Science: A Century of Poison Warfare and Human Experiments

Ulf Schmidt

Few things whet the American appetite more than atrocity and conspiracy, and readers get a hearty portion of both inSecret Science this comprehensive account of 20th-century military research. Germany’s use of chlorine and mustard gas in WWI may be the most salient example of chemical warfare, but what makes Schmidt’s account so compelling is his emphasis on Allied experimentation.

The narrative revolves around the British research center, Porton Down, and chronicles the moral dilemmas created and ethics breached in the shadow of two world wars and a global nuclear standoff.

Secret Science is both history lesson and cautionary tale, though I imagine most readers will enjoy it for the former more than the latter. History tells us that ethics usually lose out to expediency. Note the use of torture, indefinite detention, drone warfare and citizen surveillance in response to the War on Terror.

When it comes to safety, there are always extenuating circumstances (politically speaking), so I’m doubtful that the lessons of Secret Science will make inroads where they’re most needed, unfortunately. Schmidt does, however, provide us with a darkly entertaining history of the uncomfortably recent past that should chill (and in some cases vindicate) the most hardcore conspiracy theorist.

Secret Science is not light reading (I’m referencing the text itself now, rather than the content). It’s an exhaustive academic study that may not grab casual readers.

But if you’re into military history and government cover-ups, this book is worth flexing a few more of those reading muscles.

 

Under the Black Flag: At the Frontier of the New Jihad

Sami Moubayed

The dialogue on terrorism has taken a sharper tone in the aftermath of Paris. Piled on top of the horror and despair Under the Black Flaghas flowed a polluted stream of rumor, wrath and confusion. Which makes Sami Moubayed’s Under the Black Flag all the more important.

Moubayed is a Syrian journalist and historian with roots in the country’s past — and an insider’s view of its turbulent present. He provides an account of ISIS and the rise of jihadism with a depth that no cable-news sound bite or Internet meme could capture.

If you want to understand where ISIS came from and where they (and us) are headed, read this book.

Recommended Reads: Halloween Highlights

 

Tis the high holidays of horror: Samhain, Dia de los Muertos and Guy Fawkes’ Day. Here’s a trinity of new fiction releases to get you in the spirit of the season.

Lamentation

by Joe Clifford

While I enjoy the occasional police procedural or detective tale, I find it difficult to relate to those worlds. As a writer LamentationI see the appeal of having a strong, resourceful protagonist whom you can throw into high-drama situations knowing they can believably fight their way out of it.

But as a reader, I’ve always been drawn to the blue-collar characters who stumble in over their heads.

Enter Jay Porter. He’s a menial laborer living paycheck to paycheck, burdened by stress, bills and an estranged lover and their small child. Porter lives in a remote, oppressive town, cut-off from civilization by the New England winter.

Clifford so ably captures this world that it made me uncomfortable. From the opening scene, I felt edgy, depressed. I carried the full weight of Porter’s burden as my own.

That’s some damn fine writing.

That uneasy feeling in the belly swells when Porter is called down to the police station to pick-up his drug-addled brother, who is spouting off conspiracy theories involving town elites. It is further evidence of his brother’s decline, he believes, until his brother’s business partner turns up dead.

As he wades deeper into the fog, Porter unearths a dark secret that puts the life of himself and his brother in danger. With limited funds or capable weapons, and zero well-placed connections, Porter must rely on a loyal friend and an old rival.

Lamentation is my kind of novel. There are no experts, no sharpshooters, no aces in sleeves. There is no posse to rescue the hero. Just a quartet of hard-luck locals with long odds up against the wealthy, powerful and corrupt.

Porter is not the most likable character, or self-aware, but you’ll be rooting for him throughout. I’m already excited for the sequel, December Boys, due out next summer.

 

A Cold White Fear

by R.J. Harlick

Speaking of blue-collar heroes, meet Meg Harris, star of Harlick’s series of thrillers set in remote Canada. It may beA Cold White Fear the holidays, but merry-making is not on her list. Rather Harris is stewing over a blowout fight she’d had with her husband. Now he has left, and she is certain he won’t return for a few days.

Outside, a snowstorm rages, knocking out the power. Harris is alone with just her lapdog, Shoni, and the neighbor boy from the reservation. Then comes a knock on the door. It’s two men in distress, and, well, it wouldn’t be much of a plot if she didn’t let them in!

Home invasion tales can quickly turn blasé, but Harlick infuses this time-worn trope with fresh life. She raises the stakes by revealing the complexity of the two men. One of them, who grew up on the nearby Migiskan Anishinabeg Reserve, knows Harris’ great-aunt. He’s a local. They have common connections, and the reader wants nothing more than for things to go well.

They don’t.

Harlick is brilliant at creating and sustaining tension, and she keeps us on edge throughout what is essentially a single-set play. A Cold White Fear (publishing date Nov. 7) is like a rough acid trip. You know you’re going to survive it, but you’ll have to white-knuckle it all the way.

While I recommend this book for any fan of suspense, horror or cold-weather claustrophobia, I did mark it down from a five-star rating to a four due to some plot and character turns in the latter chapters. Harris is a strong, resourceful character throughout the story. Vulnerable, yes, but self-sufficient, and I think she gets short-changed in the end.

Harris is not someone who needs rescue. She uses her wits and courage to navigate a harrowing scenario for most of the book, and the ending doesn’t read true with the rest of the narrative.

Despite that, I give A Cold White Fear a strong recommendation. Others may feel differently about the ending, and even though I wasn’t crazy about it, it was worth the ride.

This was the first Harlick book I’ve read, and I look forward to reading more Meg Harris mysteries.

 

Man Made Murder

by Z. Rider

Man Made Murder is a high-octane thriller for those who like their horror on the supernatural side. Dean Man Made MurderThibodeaux is talented, but frustrated guitarist (for the band Man Made Murder) who just wants to score some biker weed before the group begins its next tour.

There is a symmetry to what comes next. His band is changing… and then so is he. But into what? I’ll just say that Type O Negative would’ve killed for Dean’s street cred after his throwdown with the biker in a creepy old house.

Dean’s transformation sets him on a collision course with revenge-minded Carl Delacroix.

Man Made Murder is a rock and roll horror show and act I in the Blood Road Trilogy.

Recommended Reads: Writer’s Edition

 

The Reader’s Brain: How Neuroscience Can Make You a Better Writer

Yellowlees Douglas

Cambridge University Press

Most books on writing have the same fatal flaw: They may be inspiring and informative, but they seldom offer The Reader's Brainpractical advice. Typically, you’ll get some variation of the following: write something every day; write what you know; active voice; character before plot.

Got it.

Yellowlees Douglas wants to change that with The Reader’s Brain. Drawing on science rather than Strunk and White, she offers tips on how to be a more effective writer, whether you’re penning the Great American Novel, writing a grant or constructing an internal memo.

I spent three years and thousands of dollars in an MFA program where it was bad form to talk about sentence structure. Seeing Douglas give it the attention it deserves was refreshing.

The Reader’s Brain is not just a collection of tips and tricks. Douglas provides a compelling narrative, sharing anecdotes from her years as an author and professor, to guide the reader through the chapters.

The difficulty with reviewing a book like this is that it’s hard to give details without giving away too much information. Since it’s on the book jacket, I can say that it centers around what Douglas calls the five C’s: clarity, continuity, coherence, concision and cadence. In exploring these concepts, Douglas shows how to utilize devices such as priming and causation to create narratives that capture the reader’s attention and keeps your words in their memory.

A worthy addition to any writer’s nook.

 

Metamedia: American Book Fictions and Literary Print Culture after Digitization

Alexander Starre

University of Iowa Press

Want to start a conversation with me at a party? Mention House of Leaves. I’ll wax ecstatic on Mark Z. Danielewski’s Metamediamasterpiece for hours. So of course I loved Metamedia, an exploration of literature in the digital age, which uses House of Leaves as its jumping-off point.

For those unfamiliar with Danielewski’s debut novel, it’s… well, it’s not easy to explain. The five-word synopsis I’d offer is that it’s a found-footage film in book form, but what does “book” mean here? Sure, it’s on paper, with binding, but with its manipulation of text (sometimes sideways or upside-down or spread over numerous pages) Leaves could never be reduced to just the words themselves.

This leads Starre to ask, “How does the idea of a literary work change when we think of it not as a text, but as an embodied artifact?”

As a lover of both physical books and digital technology, I have no bias in this area. I have a classic Nook, a Kindle tablet and boxes of books that I won’t get through in my lifetime. I’ll read any time, any place, any way, and I appreciate the tone with which Starre discusses the topic.

If you’re looking for a work that romanticizes the digital frontier or deifies the paperback, this is not it. Metamedia applies history and theory and offers a unique perspective that will be of interest to academics and general readers.

And will hopefully inspire those who haven’t to read House of Leaves.

 

Workshops of Empire: Stegner, Engle, and American Creative Writing during the Cold War

Eric Bennett

University of Iowa Press

As a survivor of an MFA program, there are a lot of ways I would describe writing workshops, but until reading this Workshops of Empirebook I never imagined a connection to the Cold War. Leave it to the University of Iowa Press, the publishing wing of the school that invented the Platonic form of the modern workshop, to offer this rich, counterintuitive history of the MFA.

These days, there’s nothing very revolutionary about a creative writing program. In fact, I still refer to mine as a conformative writing program, since anything that deviated from the cookie-cutter formula was dismissed.

But following World War II, Bennett argues, there developed an optimism that “the complexity of literature” would fend off the proliferation of simple sloganeering. Advances in science and technology had created weapons of terrifying power. It was time to advance the study of human nature, which happened to coincide with an increase in college attendance, thanks to the GI Bill.

“To understand creative writing in America, even today, requires tracing its origins back to the apocalyptic fears and redemptive hopes that galvanized the postwar atmosphere,” Bennett writes.

I’ve often mused about how the World Wars produced more great fiction writers than any others, and Bennett helps explain (in part) why this was: “Veterans wanted to write, and taxpayers were willing to pay for it.”

Bennett’s focus is on the Cold War era, particularly two of the most influential figures in the history of the MFA: Paul Engle and Wallace Stegner (who founded the programs at Iowa and Stanford respectively).

It’s a fascinating read and should be required reading for anyone enrolled in or considering an MFA program.