A round-up of ghost stories, thrillers and dystopian anthologies to darken you summer. (Come back tomorrow for our nonfiction edition.)
Ten Short Tales About Ghosts
(Released June 28)
Typically, the hallmark of a great ghost story is that it unsettles the reader. When reading K.C. Parton’s collection of English ghost stories, however, one is filled not with dread, but comfort. These 10 tales are reminiscent of the kind my father would tell me over campfires—and those, of course, will always be my favorites.
Parton’s stories have that same appeal. These are not tales of terror, but subtle chillers made all the more spooky for their familiarity. Stories that make you think twice before cutting through the graveyard, not to avoid falling prey to a Saw-like killer, but for that abstract fear that tickles as much as it terrifies.
In “The Last Train,” a modest theater-goer arrives late to the station, but by good fortune, his train is waiting for him. Once aboard, he realizes his destination is somewhere other than home. Likewise, a young factory apprentice stumbles upon a shop-floor oddity in “The Cleaner”—and realizes that what he first thought to be a hoax or a hazing is in fact a haunting.
Perhaps the stand-out tale of this collection is “The Heinkel,” a WWII yarn about a young boy fascinated with a downed German plane.
A big draw for me is that most of the stories have an industrial setting. Growing up in the Rust Belt, I was exposed to the real-life horror of the steel mills (such as my dad’s coworker losing an arm in the blast furnace) and the spooky kind (my grandfather’s otherworldly encounters at the Westinghouse plant).
When it was my turn to work the factories, I found much ghostly inspiration in the rusted machinery, secluded warehouses and the imaginative possibilities of the graveyard shift. Parton’s stories fit that mold, which shouldn’t be surprising, as he came of age in England’s post-war factories. (His first book, Tales from the Toolbox, recounts his industrial experiences.)
My one critique is that there’s not a lot of mystery to these stories. Characters who believe they are having ghostly encounters truly are, and the nature and cause of the hauntings are typically self-evident. But that’s OK. These stories work not through terror or misdirection, but by tapping into that primal need for campfire tales—the kind that give goosebumps, sure, but leave you smiling in the end.
Once again, Grey Matter Press has delivered the anthology goods. Ominous Realities is the finest indie collection I’ve read in a while. These dystopian tales chill and unsettle, balancing skill, imagination and smarts.
Take “On the Threshold,” an eerie, Lovecraftian tale of science and madness from William Meikle. Last year, I read Meikle’s novel The Hole, and thought it was enjoyable but flawed. Here, Meikle is in control from the creepy opener in the lab to the grim finale. HPL would love this tale of science gone wrong.
Keeping up the intensity is “Doyoshota,” by Ken Altabef, a haunting intersection of conspiracy and cacophony that makes tinnitus sound like a Beethoven sonata.
Eric Del Carlo’s “We Are Hale, We Are Whole” is deserving of any “best-of” anthology, a smart, thoughtful piece of writing that should be a must-read for anyone attempting to world-build within the confines of a short story. It also takes a philosophical bent about quality of life, aging, health care and sacrifice.
An excellent collection from a hot new publisher. Also be sure to check out their Dark Visions II anthology.
(Release date: Aug. 19)
Mean Streak has all the makings of a classic Sandra Brown thriller: abduction, deception, moral complexity and a revelatory rabbit-hole twist. In her new novel, Dr. Emory Charbonneau disappears, and her husband is the primary suspect. Part crime novel, Mean Streak is also a survival narrative, as Emory awakes in the hands of a violent captor who may be hiding his true identity. I haven’t read this yet, but it sounds reminiscent of Standoff, which was one of her best works.
The Black Road
(Release date: Aug. 15)
While the plot may be a little, well, plausibility challenged, advance press offers Mo Hayder levels of gore and depravity (aka horrific awesomeness). Following a mysterious explosion, criminologist Marina Esposito’s husband is in a coma and her young daughter is missing. The abductor forces Marina to complete a series of depraved tasks in the course of three days or her daughter dies. So, yeah, it may be plot-challenged, but if you’re looking to spice up your summer with some gore, The Black Road just may be a detour worth taking.