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Author Interview: Joanna Mishtal, The Politics of Morality

Growing up in the west, I had a fairly uncomplicated view of the Soviet Union. In the 1980s, they were the EvilThe Politics of Morality Empire. Then down comes the Berlin Wall. The Iron Curtain crumbles. Freedom wins the day. Roll credits.

Of course, history is never that simple.

Anthropologist Joanna Mishtal grew up in Soviet Poland, defected to the United States as a teenager, and now studies reproductive rights in her country of birth. Her research uncovers a thornier narrative of post-Soviet Poland. Rather than a secular democracy, the Catholic church has assumed a dominant political role.

As a result, Poland has some of the strictest abortion laws of any European Union country, and Mishtal explores the effect this has had on women and women’s rights in her first book, The Politics of Morality: The Church, the State, and Reproductive Rights in Postsocialist Poland.

The book, published by Ohio University Press, blends politics, personal narrative, Polish history and peer-reviewed research. Full disclosure: I have known Mishtal for close to a decade and I proofread early drafts of a few chapters.

Mishtal provides a unique view of Polish politics, having experienced both Soviet and post-Soviet culture as well as having lived in the west. Most impressively, she is able to switch easily between detached observation and insider familiarity, lending a unique voice to her research. Her personal insights enhance the narrative while her use of case studies give flesh and bone to the academics.

With Russia once again a wild card, the EU in crisis and Poland’s recent swing even further to the right, The Politics of Morality is a timely and important read. We are still figuring out both the history and consequences of the end of the Cold War, and Mishtal’s is an important and necessary voice in the discussion.

She recently sat down with Ensuing Chapters to discuss The Politics of Morality.

 

Cyber Monday

If you’ve got a bibliophile on your gift list, you know they can be hard to please. Hardcore readers don’t look to the best-seller lists any more than audiophiles pay attention to the Top 40 charts. Big-name publishers are fine, but impress the bookworm in your life by going independent on Cyber Monday.

It’s also, I admit, a self-serving suggestion.

In July, my debut novel, The Red Tags, was published by Comet Press, an independent publisher in New York City. If you’re shopping for someone with a taste for psychological horror or dark crime, I recommend this novel. Of course, I’m biased, but even if The Red Tags isn’t their (or your) cup of tea, I encourage you to check out these independent publishers and authors.

Comet Press

The must-have for horror aficionados this year is the anthology Necro Files: Two Decades of Extreme Horror. Featuring heavyweights such as George R.R. Martin, Joe R. Lansdale and Brian Hodge, this is a top-flight collection of disturbed visions. Originally published in 2011, it is now available for the first as an audiobook narrated by Eric A. Shelman. Or if you’re interested in something novel-length, choose from titles by authors Brett Williams, Adam Howe and Adam Millard.

Monkey Puzzle Press

Now based in Arkansas, Monkey Puzzle Press was founded in 2007 in Boulder, Colo. MPP publishes literary fiction that is dark, quirky and emotionally revealing. I highly recommend Justice, Inc., a short story collection from Dale Bridges. Other books to consider include The Boy in the Well by Nicholas B. Morris and The Whack-Job Girls by Bonnie ZoBell.

Diversion Books

Diversion publishes quality fiction and non-fiction across a spectrum of genres. Alex Dolan’s The Euthanist is one of the best books I’ve read all year, but you will find something for anyone on your gift list. Discover authors like Rachael Michael, Deborah Chester and Grant Blackwood.

Dundurn Press

Consider a trip north of the border with one of Canada’s largest independent publishers, Dundurn. My recommendation is R.J. Harlick’s A Cold White Fear, but there are also fine thrillers from Canadian authors like Janet Kellough, Brenda Chapman and Steve Burrows.

Of course, this is but a sampling of the independent presses publishing quality literature. While the big publishers recycle the same-old names, the indies can introduce you to fresh voices. They produce books that take chances because they’re more concerned with literary merit than market share.

Best of 2014

Happy New Year, coming to you live from gate B-11 at Charlotte Douglas International Airport (en route from Pittsburgh to Denver).

Tis the season for arbitrary year-end best-of lists. Even the New York Times, with its battalion of bookworms, can’t cover and judge all new titles. I read more than 50 books this year, more than 30 of which were new releases. From this tiny sample, how can I present a definitive list of best books of the year? 

What I can do is highlight the finest books that reached my nightstand or my Nook. So here, in no particular ranking, are my top reads of 2014.

Spectacular Science Writing

The Humor Code: A Global Search for What Makes Things FunnyThe Humor Code

Joel Warner and Peter McGraw

“We’re here to explore the dark side of humor, how comedy can divide and degrade,” write Warner and McGraw. “Here,” in this case, is Denmark, but also Japan, Palestine, Peru and beyond. For more than two years, this odd couple of comedy—Warner a journalist (Westword, Wired, Slate) and McGraw a humor researcher/marketing instructor (at the University of Colorado at Boulder)—traveled the world to learn what incites nasal milk projectiles in other cultures.

Specifically, the intrepid twosome tested whether McGraw’s Benign-Violation Theory (BVT) of humor applied to an international audience.

For that, Warner and McGraw visit a humor science library in Japan; deliver clown therapy to a Peruvian barrio alongside Patch Adams; interview notorious Danish cartoonists; participate in laughter yoga (yes, that’s a thing); attend comedy festivals; and McGraw even gives stand-up comedy a try in Denver’s toughest room.

That’s a lot to fit into a single book, but you’ll want to read every word. The Humor Code is an engaging blend of science writing, travel writing and narrative nonfiction. This is one of the best books you will read this year, and it is deserving of major awards.

The Tale of the Dueling NeurosurgeonsThe Tale of the Dueling Neurosurgeons

Sam Kean

The Tale of the Dueling Neurosurgeons is a brisk and engrossing read, and Sam Kean’s most impressive yet. He digs deep into the archives of psychology to discover little-known and sometimes forgotten gems that have had a great impact on modern science. You will laugh. You will learn. At times you will pick your jaw off the floor and ask yourself, “That happened?”

If you’ve never read Sam Kean, start now. You will devour all three of his books in a week. If you’re a longtime fan, prepare to be wowed once again.

And if you’re a judge for any of the big literary prizes, in the name of all that is just and good, start etching Sam’s name into the trophy.

Faith and Wisdom in Science

Tom McLeishfaith and wisdom in science

McLeish explores the history of both scientific discovery and biblical narrative, finding commonalities in the ways humans in each arena are awestruck and inspired by the natural world. There is room, he argues, for the sublime in science. The earliest scientific studies were not the cold, heavily controlled research we have today, he writes, but passionate probes of the natural world. There has since developed a rift between the science and humanities. Science got custody of the brain in the divorce, and humanities, the heart.

If you still feel the sublimity of mountain peaks, marvel at existence at the subatomic level or can be moved to tears by a sunrise, you’ll enjoy Faith and Wisdom in Science.

 

Dystopian Literature

Justice, Inc.

Dale Bridgesjustice-inc-cover

In the introduction to his short story collection, Justice, Inc., Bridges prepares us for the satirical rapture he is about to unleash: God, discouraged by his failed attempts to kill off the human race, comes to the realization that “…when left to their own devices, they appeared to do a fair job of exterminating themselves.”

And thus the chain catches on the death-coaster, drags it to the summit and lets that fucker drop.

Hang on.

These are masterful tales of human obsolescence, cruel absurdities and species self-deliverance. In Bridges’ world, justice is self-imposed, whether or not his characters realize it. You want the convenience and savings of a Wal-Mart? Fine, but you have no one else to blame when you wake up in a world controlled by Wal-Marts. Punishment fits the crime.

Justice, Inc. manages to be both observational and engaging, philosophical yet lyrical at the same time. You’ll find yourself caring as much for the characters and their plights as for the underlying philosophy within each tale.

Bridges writes not with a pen but a skewer, piercing the absurdity of our cosmic sitcom with clarity and humor. Justice, Inc. is philosophical satire in the vein of Vonnegut and George Saunders—fellow madmen who have stared into the abyss and come away laughing.

Ominous Realities

Eds. Anthony Rivera and Sharon LawsonOminous Realities

Once again, Grey Matter Press has delivered the anthology goods. Take “On the Threshold,” an eerie, Lovecraftian tale of science and madness from William Meikle. Keeping up the intensity is “Doyoshota,” by Ken Altabef, a haunting intersection of conspiracy and cacophony that makes tinnitus sound like a Beethoven sonata.

Eric Del Carlo’s “We Are Hale, We Are Whole” is deserving of any “best-of” anthology, a smart, thoughtful piece of writing that should be a must-read for anyone attempting to world-build within the confines of a short story. It also takes a philosophical bent about quality of life, aging, health care and sacrifice.

 

Best Biography

Happy Clouds, Happy Trees: The Bob Ross Phenomenon Happy Cloud, Happy Trees

Kristin G. Congdon, Doug Blandy and Danny Coeyman

Beloved painter Bob Ross is all the more mysterious for the minimal amount of unauthorized or paratextual materials surrounding him. Mostly, what we know of Ross comes from his TV program. The mystique of the painter’s life has fueled his cultish following, and the authors do a wonderful job of exploring the man, his devotees and that ineffable thrill of creation. Bob had a word for it.

He called it joy.

An Infuriating American: The Incendiary Arts of H.L. Mencken

Hal CrowtherAn Infuriating American

The tone of this extended essay is established up front by a quote from the subject himself, H.L. Mencken:

“To the extent that I am genuinely educated, I am suspicious of all the things that the average citizen believes and the average pedagogue teaches.”

Mencken, one of America’s finest journalists, was also a world-class iconoclast, and the tone and spirit of his work is captured wonderfully in this short study by Hal Crowther, himself an esteemed author (and 1992 recipient of the H.L. Mencken Award). Mencken should be required reading for everyone (particularly prospective journalists), and An Infuriating American is as good an introduction to the writer as you’ll find.

The Mad Sculptor: The Maniac, The Model, and the Murder that Shook the Nation

Harold SchechterThe Mad Sculptor

“You can certainly learn as much about a society by which crimes people are obsessed with at a particular time,” says Schechter. “I think, in a general way, the crimes that become national obsessions, that strike a deep communal chord, symbolize the particular cultural anxieties of the moment.”

In the 1920s it was poisoners; in the ’70s Charles Manson personified the worst fears of the counterculture; the ’80s had phantom Satanists and the ’90s belonged to the serial killer; and today we have the rampage shooter.

But in the 1930s, it was the sexual deviant that haunted and titillated the public.

Enter Robert George Irwin, the subject of Schechter’s new book.

Irwin was a troubled and talented artist whose stunted psychosexual development (and religious obsession) fueled romantic fixations, violent outbursts, numerous hospitalizations and an attempted self-castration. It climaxed with a vicious triple murder in 1937, made all the more newsworthy because one of the victims, Veronica Gedeon, was a pulp magazine cover girl.

 

Notable Nonfiction

Rock ‘n’ Roll Soccer: The Short Life and Fast Times of the North American Soccer League

Ian PlenderleithRock n Roll Soccer

The groundwork for today’s soccer popularity was laid by the North American Soccer League, the subject of Rock ‘n’ Roll Soccer. Plenderleith documents the folly, effrontery and ultimate failure of the NASL—an impressively thorough tome that benefits from solid research and a witty outsider’s perspective (though now living in America, Plenderleith is British and brings a European’s passion and insight to football writing).

Rock ‘n’ Roll Soccer is an excellent work of sports journalism and, regardless of whether you follow football or futbol (or both), it is worthy of any fans’ bookshelf.

The Perfect KillThe Perfect Kill: 21 Laws for Assassins

Robert Baer

It was not hard to get me to pick up The Perfect Kill. Advice on how to pull off a flawless assassination? From a CIA insider? Sign me up. But before you begin stockpiling your arsenal, don’t think of this as a modern-day Anarchist Cookbook, but rather an engaging work of military history—an insider’s view of the Middle East through the eyes of an assassin.

While the subject matter alone is interesting, Baer’s writing makes this a thrilling read from start to finish. He has a narrative voice that is concise, informative and though he occasionally drifts toward the conspiratorial (which isn’t a bad thing), he tempers it by clearly defining what is fact and what is conjecture.

 

Illuminating Lit

Beautiful You

Chuck PalahniukBeautiful You

Palahniuk took on male malaise with Fight Club and mocked cultural over-consumption with Choke. Snuff (ostensibly a novel about pornography) lampooned self-destructive excess and exploitation in a manner that could very well have served as a hyper-sexualized predictor of the impending financial crisis of 2008.

In Beautiful You, he wanted to write what he calls gonzo erotica, and in the process has penned an anthem for an overstimulated, multi-tasking, computer-coma society.

Penny Harrigan is a nice Nebraskan girl working in New York City when she catches the eye of the world’s richest man, C. Linus Maxwell. Next thing you know, Penny is the talk of the tabloids and the envy of her coworkers.

Behind closed doors, however, is where Penny is truly transformed. Maxwell introduces her to a world of unimagined, if clinical pleasure. Penny has her reasons to question Maxwell’s motives (especially after a bizarre bathroom tryst with his bitter ex-lover), but is too enraptured with her new-found fame and sexuality.

Oozing with plot twists only Palahniuk’s sardonic tone could make palatable, Beautiful You aspires to remarkable levels of absurdity, but is it any more absurd than the daily inundation of product and marketing? Many reviewers have criticized the gratuitous satire in this novel, but is the idea of world domination via dildo really that far-fetched in a culture that has financially sustained multiple cable shopping channels for three decades?

We are a culture of instant gratification. We are a culture of distraction. We are the lab rats hammering away at the pleasure bar for a taste of sweet, sweet oblivion.

And much like Maxwell, Palahniuk is there wearing a lab coat, taking copious notes and holding up a funhouse mirror to our cage, so that we might catch a distorted glimpse of what we’ve become.

The Children ActThe Children Act

Ian McEwan

Fiona Maye is an experienced judge on the cusp of old age who is questioning her lifetime of restraint (as well as her decision not to reproduce). We enter her story mid-conversation to discover Fiona reeling from her husband’s proposed (and possibly in-progress) infidelity, just as she’s preparing for a high-profile case with a child’s life in the balance.

Cut to the courtroom, where a precocious teenager is refusing a blood transfusion on the grounds of being a Jehovah’s Witness. Invoking the Children Act of 1989, Fiona gives her ruling, the consequences of which ultimately lead to a spontaneous, classically McEwan mistake, one that risks undoing her marriage, her career and a lifetime of calculated decision-making.

The Children Act is a short, but dense novel, as is usually the case with McEwan. The man is a master of reflection and interiority. The opening chapter encompasses but a moment in a 30-year marriage, but lays bare its successes, failings and a lifetime of insecurities and second-guessing. The tragedies unfold in slow motion and a lifetime of torment is distilled into a bitter, lingering moment.

 

Quality Quickies

We Should All Be Feminists

Chimamanda Ngozi Adichiechimamanda-ngozi-adichie-we-should-all-be-feminists

This brief and brilliant essay (it comes in around 20 pages) from the celebrated author of Half of a Yellow Sun, is one of the most interesting pieces I’ve read all year. “Feminist” is a word long-since stripped of its original meaning: politicized, glorified, demonized. It’s got more ill-fitting baggage than an overhead compartment. Adichie cuts through the connotations to get at the core value of feminism and how it celebrates and benefits both men women.

It’s a call to arms to imagine a generation of children raised without the biases that, consciously and unconsciously, perpetuate gender norms. It’s a call to rethink masculinity so that the next crop of men grow up healthier than the last. It’s a call for all of us to “do better.”

The essay may be short, but the conversation it generates is long and important.

Legion: Skin Deep

Brandon SandersonLegion

StephenLeeds is afflicted with a mental disturbance wherein he has imaginary friends who enable him to solve crimes. His mental manifestations, which he calls “aspects,” have names, back-stories and seemingly a life of their own, though they are bound by the limits of Leeds’ finite knowledge and experience.

In Skin Deep, the second novella in the series, Leeds is coerced into locating the corpse of a tech worker who was in possession of dangerous information—while at the same time outwitting a devious businessman and avoiding the strike of a first-rate assassin.

What makes the Legion books so amazing is not so much the outer conflicts, but the inner ones. Who are we? How do we define who we are? Would we all be better served to, ahem, use our illusions? These are the deeper strings Sanderson plucks in the Legion series.

May there be many, many more.

 

Horrific Hits

The Winter People

Jennifer McMahonWinter People

What is it about New England that inspires isolated, small-town horror tales in which the blood runs as cold as the weather? I’m not sure what it is exactly, but having spent many a wintry a night in Maine, I am familiar with that feeling. And I can’t get enough of it.

Jennifer McMahon captures that frostbite feeling perfectly in this heartbreaker of haunted legends and legacies, curses and karma, and, more than anything, unendurable loss.

The Winter People is well-written and bursting with heart. There are mysteries at every turn, and reminders that grief can be deadly. Or worse. Like a modern retelling of “The Monkey’s Paw,” there are consequences for disrupting the dead, and The Winter People reminds that despair can drive even the most sensible among us to dangerous depths.

Ten Short Tales About Ghosts

K.C. Parton10 Short Tales About Ghosts

Typically, the hallmark of a great ghost story is that it unsettles the reader. When reading K.C. Parton’s collection of English ghost stories, however, one is filled not with dread, but comfort. These 10 tales are reminiscent of the kind my father would tell me over campfires—and those, of course, will always be my favorites.

Parton’s stories have that same appeal. These are not tales of terror, but subtle chillers made all the more spooky for their familiarity. Stories that make you think twice before cutting through the graveyard, not to avoid falling prey to a Saw-like killer, but for that abstract fear that tickles as much as it terrifies.

A big draw for me is that most of the stories have an industrial setting. Growing up in the Rust Belt, I was exposed to the real-life horror of the steel mills, and I found much ghostly inspiration in the rusted machinery, secluded warehouses and the imaginative possibilities of the graveyard shift. Parton’s stories fit that mold, which shouldn’t be surprising, as he came of age in England’s post-war factories.

These stories tap into that primal need for campfire tales—the kind that give goosebumps, sure, but leave you smiling in the end.

The Cutting Room

Ellen Datlow, editorThe Cutting Room

“With no dreams left to search for, I have only nightmares to anticipate.”

This is one of the most haunting lines from the tremendous opening story, “The Cutter,” by Edward Bryant. It sets the tone for all the delicious horror in Ellen Datlow’s latest anthology. Disturbing images and the blurring of reality is a common theme in this collection. Stephen Graham Jones’ chilling “Tenderizer,” for example, David Morrell’s “Dead Image” and the wonderfully titled “Filming the Making of the Film of the Making of Fitzcarraldo” by Garry Kilworth.

Anticipate many nightmares within these pages.

Review: Legion: Skin Deep

Brandon Sanderson

Legion: Skin Deep

Not long ago, I sang the praises of Sanderson’s novella Legion (https://ensuingchapters.com/2013/01/03/review-legion/), a mystery tale centered around the brilliant, unquiet mind of Stephen Leeds.Legion

Leeds is afflicted with a mental disturbance wherein he has imaginary friends with benefits (no, not that kind, pervo, though two of his manifestations are going through a difficult breakup in this installment). His mental manifestations, which he calls “aspects,” have names, back-stories and seemingly a life of their own, though they are bound by the limits of Leeds’ finite knowledge and experience.

Consider it a cross between schizophrenia, dissociative identity disorder and unconscious cognition.

Put simply, like all of us, Leeds can access a limited portion of the information he receives from external stimuli, but he’s also able to access the subconscious bits via imaginary personalities. The result is a skill set unmatched by any other detective in literature. (Leeds isn’t a detective per se, but like fellow troubled genius, Sherlock Holmes, often finds himself consulting on cases).

In Skin Deep, the second novella in the series, Leeds is coerced into locating the corpse of a tech worker who was in possession of dangerous information—while at the same time outwitting a devious businessman and avoiding the strike of a first-rate assassin.

As before, the plotting and character development is astounding. I listened to the audio version, and devoured it in two sittings (it would have only been one were it not for work). Once again, Oliver Wyman’s narration is poetry. He inhabits all of Leeds’ imaginary allies as well as his very real adversaries, shifting seamlessly and convincingly through various genders, races and personalities.

But this is more than a groovy mystery; Sanderson uses Leeds as a launch-pad for theological debate. I believe he handled the religious discussion better in the first Legion story, while in Skin Deep, the tone is didactic. Leeds describes himself as “15 percent atheist,” aggregating the beliefs of his various aspects. This is a clever way of exploring the inner conflict between doubt and faith, illustrating our tenuous grasp of knowledge and belief.

What makes the Legion books so amazing is not so much the outer conflicts, but the inner ones. I never subscribed to the academic taboo on having characters with mental illness (because it’s reductive, or some other scholarly jargon). Leeds cannot be reduced to any one of his aspects, just as his consciousness is more than the sum of his personalities. He is capable of change. We see it both within and between the books.

Perhaps Leeds’ greatest fear is that he will someday be free of his aspects, because I think he’d be lost without them. In his more existential moments, Leeds wonders whether he is simply someone else’s aspect, eliciting that dissociative tingle we’ve all felt at various times.

Who are we? How do we define who we are? Would we all be better served to, ahem, use our illusions? These are the deeper strings Sanderson plucks in the Legion series.

May there be many, many more.

Steven Schwartz: Little Raw Souls

Here’s a link I forgot to post last week. Steven Schwartz’s Little Raw Souls. We’ve got a review, an interview and full audio on this one. Enjoy!

http://transgressmagazine.com/2013/02/07/interview-steven-schwartz-little-raw-souls/

Recommended Reads: Jan. 22

Nevada Barr: The Rope. In Anna Pigeon, Barr has created one of the most oThe Toperiginal  and enjoyable protagonists in the mystery genre. With each book set in a different state park, fans have followed Pigeon’s adventures through more than a dozen novels. This time, Barr takes us back to 1995, where it all began for Pigeon. First published in 2012, the audiobook edition, released today, promises a thrilling wilderness adventure.

 

Jeremiah Ostriker and Simon Mitton: Heart of Darkness: Unraveling the Mysteries of the Invisible Universe. In a time of dizzying scientific discovery, it’s hard to keep up with the latest information. And sure, dark matter and dark energy sound cool, but what the hell is it? Well, for starters, it’s what makes up most of our universe. Never mind the dark side of the moon. Ostriker, a Princeton astrophysicist, and Mitton, a science historian, chronicle the ongoing trek into the ultimate dark.December's Thorn

 

Phillip DePoy: December’s Thorn. On a cold, snowy night, a strange woman shows up at Fever Devilin’s door claiming to be his wife. He offers her a seat by the fire, brews some tea… and the seventh installment of the series, centered around a Georgia folklorist, begins.

Review: Legion

Author Brandon Sanderson is one evil dude. That was my reaction to finLegionishing his novella, Legion, concerning the peculiar (and haunted) Stephen Leeds. To be clear: Sanderson is a master storyteller, and this is one of the greatest works of short fiction I’ve read in years.

What makes Sanderson evil (in that bad-ass writer sort of way) is the fact that the story came to an end.

In December, Audible offered a free copy of Legion, which I greedily downloaded and enjoyed in one sitting. This story is compelling on so many levels that when it ended I needed complete silence to process everything.

Leeds is a peculiar man with a mental condition akin to dissociative identity disorder (a dubious diagnosis; see Debbie Nathan’s Sybil Exposed). However, Leeds doesn’t have multiple personalities. He has what he calls “aspects,” sort of like imaginary friends with benefits — meaning they sleep in their own rooms, require seats on a plane and bail you out of jams.

In truth, the aspects are the manifestations of Leeds’ genius. He is smart to the point of insanity, and, in my opinion, his aspects allow him to maintain his self-view as a “regular guy.” For example, he doesn’t perform critical analysis of arguments. He leaves that to Ivy. He isn’t a skilled marksman, so he leaves the self-defense to his munitions expert, J.C. And when he attempts to learn Hebrew during the course of a transatlantic flight, he manifests a new aspect who is already fluent.

This is a master stroke, in my opinion. A functioning protagonist who had all these skills wouldn’t be credible, unless they were super-human. And a functioning human who had all these skills would be, well, dysfunctional if they had to store all this knowledge and know-how in their brain.

So Leeds, in cerebral self-defense, delegates the multi-tasking to his apparitional A-Team, and they are a source of depth, humor and revelation. This is a great device, but something of a literary high-wire with little room for error.

Sanderson deftly manages the narrative so that it never becomes silly or gimmicky. In fact, the presence of the aspects deepens the protagonist, as his inner conflicts and contradictions play out before us.

This is played to maximum effect when the novella takes a philosophical turn. The premise of the story is that a scientist has invented a camera that can photograph the past — and now he has gone missing. Leeds determines that the scientist has gone to the Middle East in search of photographic evidence to confirm or deny Biblical history.

The nature of this quest, by a scientist in particular, leads to an interesting discussion among his various aspects, each offering a different take on religion. Here, Sanderson captures the internal struggle that comes with asking the big questions: How does one reconcile science and spirituality? Theological desire and empirical evidence?

No matter your conclusion, I’m sure we’ve all had similar conversations in our heads.

In Leeds, the discussion is thoughtful and entertaining, and enriches the story with a pensive undertone. And mention must be made of the terrific narration of Oliver Wyman.

Featuring compelling action, organic dialogue and complex characters and situations, Legion is a must-read (or must-listen).

I’m not surprised. As a longtime fan of the podcast Writing Excuses, which Sanderson co-hosts (along with Dan, Howard and Mary… who are that smart), I’ve joked that I’ve learned more from Sanderson and company than I did during my three-year MFA.

And I’m only sort-of kidding about that.

But I’m serious when I say that we need more Stephen Leeds adventures. And soon. A full-length novel, series of stories, film, TV… all of the above.

Leeds is a character brilliantly devised and fully realized. I didn’t want this story to end, and I hope to read more of Legion in the (near) future.