“He knew what those jubilant crowds did not know but could have learned from books: that the plague bacillus never dies or disappears for good…”
That line, of course, is from Albert Camus’ 1947 masterpiece, The Plague, a book that has the distinction of being in my top 20 all-time reading list, yet is only my third favorite work by Camus.
Published three decades after the Spanish flu epidemic, and only a few years removed from World War II, Camus used the backdrop of the Bubonic plague to dramatize the philosophies of Existentialism and the Absurd.
This brilliant novel is back in demand and selling by the thousands. Of course, The Plague was a parable about fascism and a post-Nazi warning to future generations, which makes it doubly relevant as global instability has given rise to nationalist violence and challenges to western democracies.
Now that social distancing, if not full-on quarantine, is quotidian reality, many are returning to literature for entertainment, distraction or insights. Not to make light of the circumstances or the plight of those suffering, but since we’re isolating, we might as well make the most of it. Here are seven tales of plague, apocalypse and what happens when our delicate social networks collapse.
“Time Enough at Last,” Lynn A. Venable
Originally published in 1953, this brilliant story became an instant classic when it was adapted into the classic episode of The Twilight Zone. I remember first watching this episode as a kid, and for the first 28 minutes thinking it was a wonderful fantasy. The sole survivor of a nuclear bomb, who wants nothing more than to be left alone to his reading, finds his wish has come true!
With nobody around to bother him, and unrestricted access to the public library, he finally has the peace, solitude and, most of all, time to read all the books he’s ever wanted. To me, it was like heaven, until the final twist when our hapless hero breaks his glasses. It is still my favorite episode of the show.
I later read the source material in the collection, The Twilight Zone: The Original Stories, and the original story, though not as well-known, is as good as the adaptation. There are many other great stories in this anthology as well, including many by the great Richard Matheson.
But if you’re vibing on isolation right now, you can’t go wrong with Venable’s mid-century classic.
“Rain,” Joe Hill
I confess I’m biased, having lived in Boulder, Colorado, for the better part of 22 years, but I think this apocalyptic novella is one of Hill’s best efforts. And it’s not just because he describes a summer day in Boulder “as glorious as the first day in Eden” (though that is totally accurate).
But then, without warning, sharp needles begin raining from the sky, piercing an unexpecting populace. “A lot of healthy, vigorous children died in Boulder that day–parents all over town booted their kids outside to whoop it up on one of the last, most brilliant days of summer.”
And it only gets darker from there.
It’s a story befitting the title of its collection, Strange Weather, as this (un)natural disaster turns into a blood-soaked survival march down the Boulder-Denver turnpike.
The Troop, Nick Cutter
I finally got around to reading this highly recommended novel last year, and I was not disappointed. It was creepy, isolating and had a visceral effect on me. For starters, camping horror always gets my blood pumping. Throw in some bioengineering and evil science experiments, and you have my undivided attention.
I brought this with me on a flight to Norway, and I figured it would last me all the way to Lillehammer. I devoured it (no pun intended) before reaching my layover in Reykjavik.
I was also pleasantly surprised when I looked at the author’s photo. I wasn’t familiar with Nick Cutter, but I definitely recognized the author as Craig Davidson. In 2007, I reviewed his debut novel, The Fighter, for the Rocky Mountain News.
My review wasn’t glowing, admittedly, but the novel showed a lot of promise–and it’s stuck with me for more than a decade. He did a lot of things right in that book, but I felt it was a bit uneven overall. The Troop, however, was on point from start to finish, with consistent tone and pacing.
If you think social distancing is scary, try The Troop.
The Cabin at the End of the World, Paul Tremblay
A big part of the creep factor in Paul Tremblay’s home-invasion novel is that we never know if the alleged apocalypse is real. A group of deranged, but seemingly well-meaning (mostly) eschatologists show up at the cabin of a vacationing couple, Andrew and Eric, and their daughter Wen. The intruders have a message: In order to save the world from the end times, one of the trio has to die.
Is the apocalypse really happening? It’s hard to say. Every time they turn on the television, something bad is happening on cable news. But isn’t that true at any time? If you want to live in perpetual fear, just watch cable news.
This convinces the intruders that they are right, and further proves to Andrew that these people are crazy.
I think there are some powerful analogs to our current situation. It’s hard for most of us to gauge first-hand what’s going on, since all signifiers of normality are gone. Sure, there is the television, but that again leads to the ratings-driven cesspool of cable news.
Who can you trust? And which information do you take to heart?
And what are you willing to sacrifice?
“The Masque of the Red Death,” Edgar Allan Poe
Covid-19 has reminded all of us that nobody is invulnerable. Actors, athletes and world leaders have all contracted the disease. Young, old, rich, poor. Nobody is immune.
That is the message of Poe’s horrific tale of a plague that induces hematidrosis–a “profuse bleeding at the pores” from which the Red Death gets its name. Symptoms come on suddenly, the pain is intense and the only mercy is that the victim is dead within a half-hour.
Knowing that death could come so sudden makes this story first-rate psychological horror, but it also becomes class warfare when the elite Prince Prospero invites his rich friends to wait out the plague in the sanctuary of his castle, leaving the poor to die in the streets.
But nobody is safe from this brutal disease, and in the end “darkness and decay and the Red Death held illimitable dominion over all.”
The Stand, Stephen King
Of course my all-time favorite horror novel would be on this list. I tried to include lesser-known books to mix it up, but the classics are classics for a reason. No other apocalyptic vision has disturbed me more than King’s magnum opus. As a superflu decimates the world, the facade of civility slips and human nature bares its fangs.
Those in touch with the better angels of their nature congregate in Boulder, Colorado, arming themselves to make one final stand to save humanity from itself.
The Plague, Albert Camus
Finally, we’ll let big Al have the last word. As part of the French Resistance, living in Nazi-occupied Paris, Camus experienced an existential threat most of us will never know. His allegorical plague revealed the best and worst of humanity, and it served as a reminder for how to live, whether in good health or during a pandemic:
“We should go forward, groping our way through the darkness, stumbling perhaps at times, and try to do what good lay in our power.”
Stay healthy and well, my friends.