In “The Hollow Men,” T.S. Eliot famously wrote, “This is how the world ends/ Not with a bang but a whimper.”
King has destroyed the world many times over, and by many different means (plague, cars, cell phones, even exploding meth labs), and each time it is most certainly with a bang. My personal favorites are The Stand and The Mist, but there’s something for everyone on his buffet of world-ending visions.
Any longtime reader of King’s knows that his strength is character development. His end-of-days narratives are so strong not because of the impending doom but for how his characters respond to it.
For example, The Stand is horrific when Captain Trips decimates the globe, but heroic when its survivors stand up to Randall Flagg. The Mist enthralls with the interpersonal conflicts that emerge within the grocery store. I’m not afraid of fog-shrouded aliens, but I’m terrified of religious extremism in closed quarters.
Another favorite trick of King’s is what I call the extrapolated horror. “Trucks,” the short story that inspired the film Maximum Overdrive, focuses first on the ordeal of the survivors holed up in the diner. In many ways, the story is quite silly (a semi-trailer apocalypse!), but where it haunts the reader is its ending: The moment when you realize that all the horror that has come before is merely the opening act for something far, far worse.
This is a small sampling of King’s apocalyptic works:
Under the Dome (sort of)
“Night Surf” (prelude to The Stand)
King has also penned his fair share of dystopian literature:
“The Long Walk”
“The Running Man”
“The Children of the Corn”
With more than 100 novels, stories and screenplays to his name, King’s bookshelf is long. Pull one or two down from the shelves this Halloween. Believe me, the end of days never sounded so good.